Ben By Night: (Neokitsch) is an ambient piece which is tranquil, reflective and enlightening. It is a location specific piece, as the music resonates through the chimes of Big Ben, so this track is a perfect choice for those wishing to describe a London night scene.
The Ocean : (Neokitsch) is a mysterious and haunting piece with threatening rumbles contrasted with high pitched chimes. It weaves through light and dark moods, describing the uncertain depths of the otherworldly ocean.
Schumann Fish: (Neokitsch) uses a mixture of subtle ambient music with sound recordings. The name comes from the piece being inspired by a particular passage in one of the Schumann Lieder, although this piece however, has an aquatic texture.
Frost: (Neokitsch) is very dark, with a distant, reverberant female voice accompanied by the low crackles and rumbles of the vintage analogue Moog Rogue synthesizer.
Deep water shallow breath: (Dave Waugh) I spent hours searching through all my synths for sounds and tweaking them, what I was really looking for were synths that were unpredictable, never responding the same way twice, I’d record the outcomes and reposition the audio, sometimes reversing the audio files. Other synths I used had an incredible delay, only starting to be audible a couple of bars after playing them, and then twisting away long after the note had been stopped on the keyboard. I enjoyed not knowing what to expect next in the track. I renamed it when it was complete because it gave me the feeling of something terrible lurking beneath a deep ocean.
June: (Dave Waugh)I tried for something a little more musical in regards to the timing on this track, I started with a bass pulse and a couple of very gentle synths which complement eachother to provide the pad. The melody line is a combination of a celesta through effects and synth. The organ sound which enters in the last third of the track, is a build up of delay from a couple of the synths.
Barrier reef: (Dave Waugh)Although probably the simplest sounding of the three tracks i have on Shades of White, this track took surprisingly long to create. I took hours to find the right synths and although a very simple progression, reworked the chords several times. The track surprised me when it was finished.
Evolving: (Keydrum2) I was inspired by watching Nature documentaries and scenery pictures. I just wanted to reproduce, almost “painting”, those beautiful landscapes through music.
Molecular Connection: (stonelionmusic) I often compose music with out any title in mind at all. I am often inspired by the track itself to title it something and go by the “feeling” of the piece. This reminded me of something on a Molecular level and all the connections within ourselves there are.
The Minds Eye: (stonelionmusic) I’ve always loved doing Ambient/New Age style music and try to convey things through it. In this track I thought it was like a short trip though the mind in a slightly grandiose and expanding way.
Deep: (stonelionmusic) This track was originally done for a deep sea documentary and because of that I tried to convey depth of the ocean and some of the wonders deep within the sea. Recently this track under a similar title was pitched for a feature film because of it’s relaxing nature.
olecule Connection – 
Evolving – 
Temptation – 
